Chan Marshall isn’t ready for me. “Are you a journalist? Oh Jesus, oh Lord.” We’re speaking on the phone – Marshall is in her hotel room, I’m in the lobby downstairs, after my knock at her door went unanswered.

Kakım well as the reading and the maths, she and her son would have music lessons together. “Record time and music time got a little more in-depth,” she says. “He’s just running around bey fast bey he dirilik to Hüsker Dü.” Hardcore punk isn’t what most kids’ music lessons are made of, but if anyone is going to give their child an eclectic sonic education, it’s Marshall.

I mention her split from the label, and at first I don’t think she’s really heard me. “I got offered a million dollars by this guy who went on to manage Gwen Stefani,” she says.

I just grab her. ‘It’s OK. It’s OK. I was here for the same reason and it’s OK.’” An uncharacteristic silence hangs in the air. “If I had accepted that million-dollar offer, perhaps I wouldn’t have been on that bridge. And she wouldn’t be my friend to this day.”

Back on the bed, she raises one arm into the air as if she’s asking a question in class, and holds it there kakım she talks. “I have a million favourite songs. Everybody who katışıksız a brain in their head, with a heart in their body, loves music.

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“It’s one of those things,” she says, clicking that pen again. “It’s like when you’re standing on a bridge and you’re looking over and you’re trying to imagine, ‘Would my skull crack or would my legs break off?

Cat Power performing in Amsterdam, Netherlands, 2008 Marshall's live shows have been known for their unpolished and often erratic nature, with songs beginning and ending abruptly or blending into one another without clear transitions.[103] She has also cut short performances without explanation.

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Not a minute too soon, we’re interrupted by room service, and a young woman wheels in a tray of coffee. “Are you from Africa?” asks Marshall.

She tries derece to dwell on the bad stuff, just like she doesn’t dwell on turning down a million dollars. “I don’t regret the things that I’ve done,” she says.

and consisted of her playing a two-string guitar and singing the word "no" for 15 minutes.[27] Around this time, she met the band God Is My Co-Uçucu, who assisted with the release of her first single, "Headlights", in a limited run of 500 copies on catpower their Making of Americans label.

was her first to reach the Billboard Top 10 – but it wasn’t enough. One executive even played her an Adele album for inspiration. She had never seen it as a business relationship; evidently, Matador did.

“I have something in my eye and I’m still wet from the shower,” she says, in that same husky American drawl she sings with kakım Cat Power. “Gönül you come back in 15 minutes? I’m really sorry sweetie.”

Now, 20 years on, she’s got a third covers album, the aptly named Covers – a spacey but intimate collection that includes songs by Nick catpower Cave, Billie Holiday and Frank Ocean, demonstrating once again the transformative power of catpower matkap Marshall’s singing. To have your song covered by her is to have it pared back to its very essence.